Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet Related Paintings of Diego Velazquez :. | Vieja friendo huevos | Kind des Vallecas | Cardinal Astalli (Pamphili) (detail) (df01) | Portrait de Francisco Bandres de Abarc (df02) | Details of The Tapestry-Weavers | Related Artists:
Charles landseer,R.A.1799-1879
Painter, brother of Thomas Landseer. He trained initially with his father John Landseer, then under Benjamin Robert Haydon, and in 1816 he attended the Royal Academy Schools in London. In 1823 he accompanied Sir Charles Stuart de Rothesay (1779-1845) aboard HMS Wellesley on a voyage to Portugal and then to Brazil, in order to negotiate a commercial treaty with Pedro I, Emperor of Brazil (reg 1822-31). Many of the drawings he made on this trip were exhibited in 1828 at the British Institution, and in that year he sent his first painting to the Royal Academy. This was Dorothea, illustrating a scene from Cervantes's Don Quixote. He continued to exhibit at the Academy until his death, showing mostly romanticized history paintings or such literary subjects as Clarissa Harlowe in the Sponging House from Samuel Richardson's novel Clarissa (London, 1748). The English Civil War (1642-51) was of particular interest to him, his devotion to such historical subjects perhaps being attributable to the influence of his years with Haydon. He also painted portraits, genre scenes and animal studies . In 1837 he was elected ARA and in 1845 RA. In 1851, probably due to the influence of his brother Edwin, he succeeded George Jones as Keeper of the Royal Academy Schools. Responsible for instructing the antique class, his tenure was criticized both for the way his position had been obtained and for the deficiency of his teaching, and he retired from the Keepership in 1873 on full salary.
MEYTENS, Martin vanDutch painter (b. 1695, Stockholm, d. 1770, Vienna).
was a Swedish-Austrian painter who has painted people of the royal Court of Austria such as Marie Antoinette, Maria Theresa of Austria, Francois III and his family, and many other royal paintings. His painting style has inspired many other painters to paint in a similar format. Martin van Meytens was born on June 16, 1695 and was later baptised in Stockholm, Sweden. He studied other great painter's works and in 1717 he had a great success in painting enamel paintings and miniatures, but later went on to greater task. In 1723 he began to paint large portraits of royal courts
Dirck BoutsHaarlem ca 1420-Louvain 1475
was an Early Netherlandish painter. According to Karel van Mander in his Het Schilderboeck of 1604, Bouts was born in Haarlem and was mainly active in Leuven (Louvain), where he was city painter from 1468. Van Mander confused the issue by writing biographies of both "Dieric of Haarlem" and "Dieric of Leuven," although he was referring to the same artist. The similarity of their last names also led to the confusion of Bouts with Hubrecht Stuerbout, a prominent sculptor in Leuven. Very little is actually known about Bouts' early life, but he was greatly influenced by Jan van Eyck and by Rogier van der Weyden, under whom he may have studied. He is first documented in Leuven in 1457 and worked there until his death in 1475. Bouts was among the first northern painters to demonstrate the use of a single vanishing point
